Part of the excitement is the further option to create – and be credited as editor of – an entire text from your corrected OCR text. Gale’s release of the texts though 18thConnect to be corrected by TypeWright aims to have those texts re-imported in Gale’s database. But it seems Gale is also offering the chance for those corrected texts to be published either (possibly via 18thConnect or at least peer-reviewed by them) as digital editions or via Gale as a print text.
Now this is the odd point – what does Gale get out of releasing into the wilds of the open-access world its texts? ECCO isn’t cheap and a number of universities have spent a considerable amount of money for it; even JISC’s one-stop interface for both EEBO and ECCO isn’t much cheaper. Gale’s income would presumably suffer. One might be tempted to think that both of those moves to wider access suggest Gale’s anxiety over the continuing authority of ECCO (with its old OCR software, its reliance on microfilmed texts and small images) and the sustainability of this kind of database publishing model. One need only look at databases such as London Lives, or the William Godwin’s Diaries or the Digital Miscellenies Index to see where digital resources are going. It looks as if Gale is trying to maintain ECCO’s relevance by opening it up to wider access, paradoxically undermining potential income. Perhaps they figure that the market for ECCO is saturated and that there is nothing more to loose: they would reap the kudos from keeping up with the general thrust of more recent digital resources towards open access (there’s probably a buzzier-sounding phrase than that, I’m sure). As for those texts that would be released for publication outside of ECCO, they might figure that this would amount to only selected areas or authors and that the vast majority of texts on ECCO (non-canonical and found only through specialist searching) would be unaffected and so would continue to be the USP of ECCO.